Year in Pop: 2017

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A selection of compiled interviews, insights & editorials from 2017’s Week in Pop features.

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Sjimon Gompers | December 29, 2017

Once again presenting our select highlights & standouts from this year's Week in Pop: 2017 features with our annual Year in Pop review edition; photographed by Chula Minardi.

Remaining committed & steadfast to providing a platform for the creative & progressive artistry of the world every week/all year long—Impose’s Week in Pop reflects on select recent editorials, exclusives, interviews & more in our Year in Pop: 2017 edition. And all of these features would not be possible without the clutch editorial assists from Joseph Anthony Evans, Chris Hazen, Meredith Schneider, Loren Wilson, along with some of the greatest artists, labels & corresponding representatives from around the globe. Without all of you, none of this would be possible.

Reflecting over the year’s incredibly talented artists who shared their own Week in Pop guest selections, we would like to express our thanks & appreciation to NOIA, Slothrust, Austra, Esmé Patterson, Mega Bog, Mozart’s Sister, The Courtneys, Half Waif, Communions, HEALTH, Reptaliens, So Many Wizards, Lydia Ainsworth, Remy Banks, D∆WN, Rey Pila, Los Angeles Police Department, John Fryer, Parlor Walls, Hoop, TOPS, Mux Mool, Tunabunny, Larkin Grimm, Beach Fossils, Fred Schneider, Kirin J Callinan, Twista, Avey Tare, Lushloss, wifisfuneral, Mozzy, Dent May, Cults, John Vanderslice, Dinner, TOKiMONSTA, Amy O, Versing, Chad Valley, A$AP Twelvyyy, Armand Hammer (billy woods & ELUCID), Allah-Las, Quiet Luke, Rexx Life Raj, The Telescopes, Zenizen, Statik Selektah, Fat Tony & DoNormaal for their generous curations.

Featuring just a fraction of coverage from over the course of the past 52 weeks; it is now our pleasure, pride & privilege to present the following Year in Pop: 2017 overview/review—in semi-chronological order. (begins on the next page)

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