Day 4 with John Vanderslice and Nurse
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Noise Pop(corn)
John Vanderslice
Following the trail of muffled music through the maze of hallways in the Swedish American Hall, we walked into the main venue to find Nurses nearing the end of its set.
Perched on a small, dimly lit stage Nurses bounced through its freak-folk set list with Aaron Chapman’s distinctive, childlike voice guiding its quirky sound. Pulsing through “Lita” and the primal beats of “Technicolor,” the face-painted and be-sparkled audience members drank up its spacey brand of lighthearted pop. As the set wrapped, it meant it was time for some exploring. Marking the 156th anniversary of Sønderkåsten (Sweden’s independence from Danish rule, for those of you not in the know), the evening was a Swedish celebration with an afterthought of Noise Pop. The back room offered a Swedish sampling of gluttonous goodies that included spiced popcorn that was to die for.
John Vanderslice’s rare acoustic set was like a breath of fresh air betwixt a Noise Pop line-up of synth-heavy, fuzzed out dance-rock. Stripped down to his guitar and melodic voice, a quiet intimacy washed over the old world venue. Lovers snuggled with each other in foldout chairs while the younger crowd relaxed on the ground before the stage. Beautifully strumming through “White Plains” and “Angela”, it was “White Dove”, with the slow crescendo provided by Vanderslice’s bandmates, that brought the music home.
“I’m completely inspired by the bands that played tonight,” said Vanderslice into the microphone with a smile. I’m sure that he has inspired San Francisco, as well.
Posted on March 01, 2010. More on: john vanderslice, nurses, swedish music hall, noise pop
