The Dutchess & The Duke, Sunset/Sunrise
The Dutchess & The Duke , Sunset/Sunrise [Hardly Art]
» Few things in life are certain and creating music is often one of the most spontaneous. For ex-punk-turned-1960s-folk-revivalist duo The Dutchess & The Duke (Kimberly Morrison and Jesse Lortz, respectively), this spontaneity slid off of their accidentally unplugged national tour and back into the studio before a single note for a new album had been written.
Joining up with producer Greg Ashley (frontman of Gris Gris) in his analog-equipped studio in Oakland, Sunset / Sunrise adds a much broader sound than their previous debut, She’s the Dutchess, I’m the Duke, with grandiose strings, piano, and layered harmonies.
Written during his wife’s pregnancy, Sunset finds Lortz in a new place. Gone is the resentment and anger that riddled him in the past. Rather, Lortz has now set his sights on the future to battle apprehension, uncertainty and even a little hopefulness.
A theme consistent through the album, “Let it Die” pairs a cheery tune with darker lyrics. Panicking over his impending fatherhood, Lortz barrels into the chorus to reiterate, “I don’t want to be here no more,” through a whir of jangling tambourine and light-hearted backup vocals. “Hands” is paired with a haunting organ before bursting into a chorus filled with urgency and a Spanish-flavored guitar solo. Morrison takes the lead in the dramatic “When You Leave My Arms”, where the devastation of infidelity is echoed by swirling strings and crashing cymbals.
An album masterfully crafted to revive the retro sound of the 1960s in all of its structure and aural cues, Sunset / Sunrise chronicles melancholy hopes and fears that relate to every generation.
Posted on November 16, 2009
More on: the dutchess & the duke, sophomore album, greg ashley, gris gris, sunrise/sunset, hardly art, 1960s, oakland, seattle, washington
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